Chapter 7 - THE GIRL WHO FOLLOWED THE MUSIC

The writing on the wall at Alderbrook Retreat had been made with something sharp, perhaps the metal edge of a hairpin. For years, Catherine Ashford had counted time in narrow scratches beside the names of her daughters. Sophie had not even been born when Catherine disappeared, but Emily must have managed to tell her about the little girl. Victoria imagined her mother, isolated and frightened, adding the name of a granddaughter she had never held.
She could not look at the photograph without crying.
Detective Torres called at dawn. The facility had been cleared. Three employees were in custody, and investigators had discovered a hidden pharmacy inventory, forged patient files, and a computer that showed somebody had ordered the transfer of two patients less than six hours before the search.
“Catherine and Emily?” Victoria asked.
“Possibly. The records use identification numbers instead of names. We need to verify.”
“Where were they transferred?”
“An unmarked medical vehicle left at five fifteen. We're working on the route.”
Victoria stood at the kitchen window and watched a robin pick its way across the wet garden. She had never felt so furious at ordinary life for continuing around her.
“Who knew you had a warrant?” she asked.
“A judge, our team, and the officers assigned to execute it. We're examining every possible leak.”
“Alexander always knows before you get there.”
“We have reason to suspect an insider. Don't assume everyone wearing a badge is on the same side.”
That afternoon, Mara Chen arrived at Ashford House with a paper bag of bagels and an idea that sounded absurd until she explained it. She had found copies of rental agreements for Howard Whitmore's former yacht, the Tempest. A satellite tracking company had recorded its position near Lake Bellmont on the night of Catherine's disappearance. The yacht had then made an unscheduled stop at a private dock on the north bank.
“The transfer vehicle from Alderbrook may be heading for the same network of private properties,” Mara said. “Howard used them for years.”
Victoria spread the maps across the dining table. “Which properties are still controlled by Alexander?”
“Seven. But one stands out. An old music academy called Bellweather Conservatory. It's technically owned by a charitable trust and has been closed for renovations since last month.”
Sophie wandered in, holding a stuffed fox. She looked at the map and pointed to a small drawing of a bell beside the academy.
“Mommy took me there,” she said.
Both women looked up.
“When?” Victoria asked.
“Before the wedding. We went to hear a lady play the piano.”
“What lady?”
“The sad lady who looked like Mommy.”
Victoria's pulse quickened. “Auntie Liz?”
Sophie nodded. “She played the song Grandma Catherine used to hum. Mommy cried and said she remembered.”
Mara opened the academy website. Though the building was listed as closed, its archive contained a photograph of a small theater with an unusual painted ceiling. Sophie recognized it immediately.
“That's the place,” she said. “But the piano wasn't in that room. It was downstairs. There were steps that sang.”
Victoria looked sharply at Mara. The singing stairs. Emily's warning to check the bells. Catherine had left clues in ordinary phrases that a child remembered better than the adults.
“Did the steps make noise?” Mara asked.
“One creaked and one had a little bell inside. The lady said it was a secret to make children smile.”
A former academy caretaker confirmed that the basement included an old rehearsal room accessed by a stairway with bell-shaped brass fittings. The space had been converted into secure storage during the building's renovation.
Victoria called Torres. The detective sent officers to check the premises while she sought a new warrant. The first team reported a locked gate and no visible activity. But Sophie's description was so specific that Torres authorized surveillance around the property.
At sunset, a delivery van entered through a rear entrance. The license plate matched one tied to the Alderbrook transfer company.
“That's our link,” Torres said over the phone. “Stay home. I'll update you.”
Victoria paced the library while the hours dragged. Ben brought tea she forgot to drink. Elena took Sophie upstairs, but the little girl returned in her pajamas, carrying a sheet of paper covered in brightly colored squares.
“I made a map,” she announced.
Victoria knelt beside her. “Show me.”
Sophie traced a path through the painted squares. “There's a big red door. Then the stairs. Then a little hallway. The lady said you could get outside through the music garden if you knew which gate opened.”
“How did she know?”
“She said her mommy showed her when she was young.”
Victoria realized Catherine must have visited Bellweather Conservatory as a child. Eleanor had donated money to restore its rehearsal rooms decades earlier. The family connection explained how Catherine knew details of the building the Whitmores had since repurposed.
Victoria sent a photograph of Sophie's drawing to Torres. Ten minutes later, the detective called.
“We found the bell stairwell. There's a second exit under the garden fountain. Your niece just gave us the route.”
“Are they inside?”
“We're moving carefully.”
Victoria heard muffled voices in the background, then a burst of static. Torres ended the call.
The next twenty minutes were the longest of Victoria's life.
At last her phone rang again. Torres sounded out of breath.
“We found Emily.”
Victoria sat down so suddenly she almost missed the chair.
“Is she alive?”
“Yes. She's injured and exhausted, but she's conscious. An ambulance is taking her to St. Luke's.”
“And Mom?”
A pause. “We found an empty wheelchair and medical supplies. She wasn't in the rooms we searched. We're still looking.”
Torres warned that Emily would need a careful medical evaluation and time to recover before a detailed interview. Victoria understood the words but struggled to absorb them. She had spent every morning imagining where her sister might be, whether she was hungry or cold, whether the last conversation they shared would be the final one. Now an ambulance was moving through the city with Emily alive inside it. The relief was almost physically painful.
She found Sophie's drawing still open on the dining table. The red door and colored squares looked like the map to a game. Victoria ran one fingertip over the line her niece had drawn to the hidden garden exit. Adults had studied property records and security feeds; a child had remembered the sound of a stair and a funny little bell. She decided that once Emily was safe, she would apologize to Sophie for all the times she had confused being young with knowing nothing.
Victoria began to cry. She had been afraid to let herself hope until now.
Emily looked smaller than Victoria remembered, with dark circles beneath her eyes and a bruised cheek. She was attached to an IV line but smiled when her sister appeared in the doorway.
“Vicky,” she whispered. “You look terrible.”
Victoria laughed through tears and held her carefully. “You look worse.”
“I know. I haven't had a decent shower in days.”
For a moment they were simply sisters again, trading jokes because the alternative was to face what had nearly happened.
Emily explained that she had found Anna Mercer while investigating old payments from the family company. Anna claimed to be Catherine, and at first Emily wanted desperately to believe her. But she noticed gaps in Anna's memories. The woman knew facts anyone could learn from private files, yet struggled with personal details Catherine would never forget.
“Then I met Elizabeth,” Emily said. “She was terrified of Anna. She remembered our childhood games, things even Dad didn't know.”
“Why didn't you call me?”
“Because I had already told Alexander I was looking into the lake accident. The next day a man followed me home. I didn't know who was safe.”
Victoria held her hand. “Did you see Mom at the conservatory?”
Emily nodded. “I brought her there because she insisted she could find a hiding place if we were being watched. She said she had a recording tucked away from years ago.”
“A recording of what?”
“Of the man who tried to make her disappear.”
“Alexander?”
Emily shook her head. “No. Someone much closer to us.”
Before she could continue, a nurse entered to check her blood pressure. Emily became agitated when the nurse reached for her medication tray.
“Not that one,” she whispered. “Hale's people put something in my medicine.”
Victoria asked the nurse to stop and called Torres. Hospital security verified the medication orders with the attending physician before treatment continued. Emily's fear was understandable, but it also showed how thoroughly captivity had damaged her trust.
When they were alone again, Emily reached into the lining of her hospital gown and pulled out a tiny folded paper. She had hidden it there during the rescue.
“Mom told me to give you this.”
It contained a short message written in Catherine's handwriting: The man who put me on the second boat is the same man who signed your first school forms.
Victoria stared at the words. Her father had signed her school forms. So had Graham Pierce when Richard traveled. And once, during a family emergency, so had their beloved family driver, Daniel Ross.
Emily met her eyes. “Mom said he still lives at the estate.”
Victoria felt the ground shift beneath her.
May you like
Daniel Ross had driven Sophie to school that very morning.
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