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Chapter 6 - THE ROOM WITH NO WINDOWS

By Monday morning, the east wing of the mansion had begun to resemble a hospital more than a home.

Giovanni now had a proper care team, a pressure-relieving chair, regular meals, and a daily rehabilitation plan. The brown bottle had been secured for laboratory analysis, and Dr. Vale's access to the house was suspended pending review.

He was improving, though the improvement came in small, patient steps.

He could choose between meals with his eyes. He could signal when he wanted the window open. He had even managed to say Lorenzo's name using the tablet, slowly enough that all three of us cried before the machine finished speaking.

But the guardianship hearing remained scheduled for Wednesday.

Victor had refused to withdraw the application. His lawyer argued that Giovanni's temporary ability to respond did not demonstrate enough capacity to manage a large trust.

Lorenzo did not challenge that fact. His father had serious physical and communication impairments. A fair assessment was necessary.

What he challenged was the claim that Giovanni had no meaningful preferences, no understanding of his finances, and no right to be heard.

***

On Monday afternoon, Ruiz asked to interview Mrs. Gable again. She sat in a plain conference room at the station, her hands folded in her lap.

"You delivered a threatening letter to Nora Bennett's bedroom," Ruiz said.

"I delivered a message."

"Who wrote it?"

"I don't know."

"Why did you place it beneath her door?"

Mrs. Gable looked away. "My brother asked me to."

"Victor Bellini?"

She nodded.

"What did he tell you?"

"That Nora was interfering with Mr. Moretti's care and might cause a scandal. He said the letter would make her stop."

Ruiz placed a photograph of the note on the table.

"It threatens the father of her unborn child."

"Victor said Brody was safe."

"Did you know Brody was his nephew?"

"Of course. He's my sister's son."

"Did you arrange Nora's employment?"

"Yes."

"Why?"

Mrs. Gable hesitated.

"Victor asked me to."

"Why would he care where she worked?"

"He thought she might ask questions about Brody. He said it would be easier to keep her close, where we could make sure she didn't talk to the wrong people."

The detective leaned forward.

"So you hired a pregnant woman to monitor her?"

"I gave her a job. She needed one."

"And placed her with an elderly man you knew was being neglected?"

Mrs. Gable's voice rose. "I followed Dr. Vale's instructions."

Ruiz let the silence stretch.

"Did you?"

Mrs. Gable stared at the table.

***

The laboratory report arrived that evening. Dr. Chen reviewed it with Lorenzo and Ruiz. The contents of the brown bottle included a prescription sedative that was not listed on the authorized care chart. It could contribute to drowsiness and reduced responsiveness, especially in a frail older patient, but Dr. Chen stressed that the full clinical significance required further review.

"We cannot conclude from this test that every period of sleepiness had the same cause," she said. "But a substance like this should not be administered without a documented medical reason and proper oversight."

Lorenzo looked at the bottle.

"Who ordered it?"

"The label isn't from a licensed pharmacy," Ruiz said. "We're tracing its source."

Dr. Chen continued. "Your father's current medications should be reviewed by an independent specialist. We also need to know whether any unauthorized substance was actually administered, when, and in what quantity."

Lorenzo nodded. He was listening now, not demanding the answer he wanted.

"Whatever happened," he said, "no one gives him anything without his medical team's approval again."

***

On Tuesday, Giovanni worked with Amelia for almost an hour, with breaks whenever he grew tired. He selected a set of letters that made little sense to me at first.

B L U E.

Then:

R O O M.

Lorenzo stood beside the window.

"The blue room?"

Giovanni chose YES.

I thought of the dusty fourth floor and the doors that Mrs. Gable kept locked.

"There's a little room behind the old music salon," I said. "The walls are blue. I've seen it through the doorway."

Lorenzo turned toward me. "What's in it?"

"I don't know. Mrs. Gable said it was storage. There's no window."

Giovanni tapped twice.

Lorenzo had been meeting with the trustees every evening, learning how the protective clauses worked. He told me that he used to dismiss such legal details as paperwork for other people. Now those details might decide whether his father could continue expressing his own wishes or be treated like an obstacle to a sale.

"Dad spent years insisting the waterfront properties stay together," he said. "Victor called it sentimentality. I thought he was stubborn."

"Maybe he had a reason."

"He always did. He just didn't always explain it well."

Giovanni's eyes shifted toward us. He tapped twice as if agreeing, and Lorenzo laughed.

"All right, Dad. We know you can hear us."

I adjusted the tablet and asked whether he wanted to join the conversation. He selected YES, then immediately chose TIRED. We stopped discussing business and played music until he rested. It was a small reminder that being able to communicate did not mean he had to spend every waking moment proving himself.

Amelia placed another page before him. He selected:

B O X.

Then:

F L O O R.

Lorenzo stared at his father.

"Dad, did you hide something there?"

Two taps.

"Before the stroke?"

Two taps again.

The specialists cautioned him not to rush the questions, but he was already moving toward the door. He stopped and turned back.

"Thank you, Dad. We'll look."

***

The room behind the music salon was smaller than I remembered. Its walls were faded blue, and a strip of carpet had been pulled back from the center of the floor.

Daniel entered first, followed by a forensic technician. They photographed the room before touching anything.

A loose plank lay beneath a stack of folding chairs. When it was lifted, a metal box appeared in a shallow recess.

Before anyone touched the box, Daniel asked the forensic technician to document the position of the loose plank. She photographed the scratches near its edge and the dust across the lid. There were no obvious signs that the hiding place had been opened recently.

"We don't know how long the contents have been here," she said. "We'll preserve their condition as we find them."

I stepped back to give her room. I wanted to rush forward and open it myself. But Victor's lawyers had already questioned Giovanni's communication, and I did not want them claiming we had altered the evidence. Lorenzo folded his arms and waited beside me. I could see the effort it cost him.

It was locked.

Lorenzo tried the key from his father's desk. It didn't fit.

Then I remembered the silver watch I had found among Giovanni's belongings. The back plate had been loose when I cleaned it, and I had considered sending it for repair.

"Could there be a key inside the watch?" I asked.

Lorenzo looked at me. "Why?"

"He kept looking at it when I asked about his family photographs. I thought he just wanted it working again."

The technician retrieved the watch from the secured inventory. He examined it and found a tiny key taped beneath the back plate.

Lorenzo stood motionless.

"He left it where only someone looking closely would find it," Daniel said.

The technician photographed the key, tested it, and opened the metal box.

Inside were original trust documents, bank statements, and a small memory device in a protective sleeve.

Lorenzo picked up the top page with gloved hands.

"These are the original ownership schedules."

The next page listed waterfront warehouses, a shipping terminal, and three parcels of coastal property that Victor had been trying to sell.

The last document was handwritten.

Lorenzo: If I lose my voice before I can tell you, do not let Victor sell the harbor. Your mother and I built it for the workers and their families, not for men who see only land. I have reason to believe he has been using the trust for his own deals. Ask why the medical records and the trust papers were changed together. — Dad.

I looked at Lorenzo.

His eyes had filled.

"He wrote it before the stroke," he whispered.

A detective photographed the letter. The memory device was logged and taken for forensic examination.

We were halfway down the stairs when my phone rang.

The caller ID showed an unfamiliar number.

I answered.

A man spoke without greeting.

"Nora. It's Brody."

I stopped.

"Where are you?"

"I'm back in Chicago. The detective told me to come in. But I need to see you first."

"No. Talk to the police."

"Please. It's about Lily."

I tightened my grip on the banister.

"What about her?"

May you like

"Victor didn't just want the old man declared incapable. He needed you in that room, Nora. Your baby is part of the reason."

The line went dead.

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